AUTOR(I): Biljana S. Pejić
E-ADRESA: b.pejic@yahoo.com
DOI: 10.46793/NasKg2355.219P
SAŽETAK:
U radu se analiziraju različiti teorijski i empirijski pristupi u proučavanju ličnosti umetnika. Rad predstavlja sintezu različitih relevantnih ideja i njihovo sagledavanje sa opštijeg nivoa, u nastojanju da se ove ideje sklope u širu sliku pitanja ličnosti umetnika. Analiza pokazuje da nijedna psiho- loška teorija do sada nije sasvim uspela da pruži jedinstveno i sveobuhvatno tumačenje umetničkog ponašanja. Iako značajne i relevantne, one su bile fokusirane na pojedinačne aspekte ličnosti umetnika. Psihoanaliza zastupa ideju o umetniku kao neurotiku koji svoje ideje crpi iz nesvesnog, geštalt psiholo- gija govori o talentu kao daru, a umetnika posmatra kao osobu sa naročito razvijenim sposobnostima opažanja i vizuelnog mišljenja, humanistička psihologija govori o stvaralaštvu kao univerzalnom ljudskom obeležju, a teorija crta o jedinstvenom sklopu osobina ličnosti umetnika. Ipak, svaka pojedinačno je značajna, jer je doprinela razumevanju umetničkog stvarala- štva i ličnosti umetnika u celini. Kroz istoriju su najčešće razmatrana viđenja psihopatologije umetnika spram obdarenog stvaraoca. Razloge ovolike raznolikosti viđenja umetnika treba tražiti u činjenici da je svaki umetnik veliki i neponovljiv u svojoj originalnosti.
KLJUČNE REČI:
umetnost, umetnik, stvaralaštvo, psihološke teorije, ličnost, crte ličnosti
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