Trinaesta međunarodna naučna konferencija
JEZIK, KNJIŽEVNOST I DIJALOG
24-25. maj 2024, Beograd
DOI: 10.46793/LLD24.
- G. Sanchez, DIALOGUING WITH THE GHOSTS OF THE PAST: ENGAGING WITH GIBRALTARIAN HISTORY IN THE NOVELS JONATHAN GALLARDO AND MARLBORO MAN (1-12)
- Jelena Petrović, FICTIONAL REALITIES OF PERFORMATIVE STORYTELLING IN CONTEMPORARY ART (13-25)
- Ema Luna Lalić, IN DIALOGUE WITH FREGE: HOW HIS CONCEPTS OF SENSE AND REFERENCE INFLUENCED THE PHILOSOPHY OF LITERATURE (26-35)
- Zorica Lola Jelić, OUR DIALOGUE WITH THE PAST (36-44)
- David Grčki, FROM BAD TO WORSE: WHY THE CONCEPT OF „ANTIHERO“ FAILS (45-54)
- Tamari Iremadze, EZRA POUND AS A REVOLUTIONARY TRANSLATOR: THE CASE OF “THE SEAFARER” (55-65)
- Milena Vladić Jovanov, DIJALOG U POEZIJI T. S. ELIOTA: PRISUSTVO/ODSUSTVO KOMUNIKACIJE U TEMI LJUBAVI I IDENTITETA (66-80)
- Снежана М. Марковић, У НЕОЧЕКИВАНОМ ИНТЕРКУЛТУРАЛНОМ ДИЈАЛОГУ: РОМАНИ ДЕРВИШ И СМРТ МЕШЕ СЕЛИМОВИЋА И ПОКОРАВАЊЕ МИШЕЛА УЕЛБЕКА (81-90)
- Aleksandra Panić, VIŠESLOJNI DIJALOG U DELU CRVENI KOFER LANE BASTAŠIĆ KAO PRAKSA ZA DRUŠTVENU TRANSFORMACIJU (91-102)
- Jafar Baba, DIALOGUE, IDENTITY, AND ANTI-COLONIALISM IN CHINUA ACHEBE’S THINGS FALL APART AND ARROW OF GOD (103-113)
- Confidence Happiness Evwodere, DIALOGIC REPRESENTATION OF POSTCOLONIAL DYNAMICS IN CHIMAMANDA NGOZI ADICHIE’S AMERICANAH (2013) (114-124)
- Emilie Martinez, FROM NUDE DRAWINGS TO EMPTY SWIMMING POOLS: THE DIALOGUE BETWEEN THE VISUAL ARTS AND CONTEMPORARY GERMAN LITERATURE IN PETER STAMM’S NOVEL ALL DAYS ARE NIGHT (125-133)
- Mozhdeh Sameti, DIALOGUE AND DIALOGISM IN DIEGETIC DRAMA (134-142)
- Minja Tomić, POP ĆIRA I POP SPIRA U SVETLU INTERMEDIJALNOSTI: DIJALOG ROMANA I EKRANIZACIJE (143-154)
- Kristian Pandža, Nikolina Pandža, KARAKTERIZACIJA LIKOVA KROZ FILMSKI DIJALOG U FILMU ZBOGOM, LENJINE!: ANALIZA IZABRANIH PRIMJERA S OSVRTOM NA LINGVISTIČKO-FILMOLOŠKE ELEMENTE (155-167)
- Tamta Amiranashvili, THE FUNCTION OF MUSIC IN ANTHONY BURGESS’S A CLOCKWORK ORANGE (168-175)
- Irena Jurković, DAVID LYNCH’S MONOLOGUES: DISRUPTION OF NETWORK TELEVISION NORMS (176-187)
- Amishal Modi, IRONIC HUMOUR IN ART SPIEGELMAN’S MAUS: A BAKHTINIAN READING AND A THEORY OF HUMOUR (188-196)
- Victoria Yefymenko, TRANSMEDIAL COMICS ADAPTATIONS AS AN EXAMPLE OF A DIALOGUE BETWEEN MEDIA (197-205)
- Alena Revutskaya, DIALOGICAL DIMENSION OF POETIC METAPHOR (206-215)
- Artemis Papailia, DIALOGUES OF IMAGINATION: DECODING “CHILDNESS” IN BURNINGHAM’S SHIRLEY (216-225)
- Rosina Martucci, ITALY REVISITED. CONVERSATIONS WITH MY MOTHER BY MARY MELFI, A DIALOGUE BETWEEN A MOTHER AND A DAUGHTER (226-238)
- Josip I. Miletić, ZASTUPLJENOST DIJALOGA U ODGOJU I OBRAZOVANJU (238-253)
- Dragana Ilić, Katarina Lazić, ULOGA DIJALOGA U NASTAVI ENGLESKOG JEZIKA STRUKE NA ŠUMARSKOM FAKULTETU (256-271)
- Aleksandar Ćuković, DIJALOG U DOBA POSTISTINE (272-280)
- Boriša Aprcović, UNUTARPARTIJSKI DIJALOG (281-292)
- Miloš D. Đurić, RE-VISITING THE DIALOGUES BETWEEN MITSOU RONAT AND NOAM CHOMSKY: TOWARDS A DESCRIPTIVE ACCOUNT (293-308)
- Ekaterine Topuria, SEMIOTICS OF THE POLITICAL ADVERTISEMENT DISCOURSE ANALYSIS IN TRANSLATION (309-316)