Muzički Talas 54 (2025) (str. 2-19)
AUTOR(I) / AUTHOR(S): Miloš Zatkalik 
DOI: https://doi.org/10.46793/MT54.002Z
SAŽETAK / ABSTRACT:
Stvaralački proces (u muzici, u svim umetnostima i još šire, bilo kakvoj kreativnoj delatnosti) mobiliše mnoštvo sposobnosti, znanja, veština, potencijala onog koji stvara (možda i sve njih kada stvaralaštvo dosegne svoj najautentičniji vid) na način i sa ishodom koji nisu uvek razumljivi ni samom stvaraocu. U ovom eseju ipak ću se poduhvatiti samoobjašnjavanja, pri čemu će najočiglednija posledica takvog poduhvata biti njegova heterogenost. Naime, da bismo dobili iole adekvatnu i ne sasvim jednostranu predstavu o autoru, bilo je potrebno zaći u biografske, teorijsko-analitičke, psihološke i psihoanalitičke, estetičke i ontološke sfere. Pritom, svesno se iznose, pa i potenciraju polarizovani aspekti kreativnog rada, protivrečnosti između autonomije muzike i njene povezanosti sa svim drugim fenomenima; tehničkog znanja i intuicije; narcizma i omnipotencije s jedne strane i osećanja da u procesu stvaranja deluju nekakve bezlične preindividualne sile s druge; transcendencije i imanencije; svesnog i nesvesnog… Protivstavljeni momenti mogu biti međusobno komplementarni, doživeti višu sintezu, biti razotkriveni kao lažne suprotnosti, ali i eksponirani kao istinske kontradiktornosti ili paradoksi, što je, po svoj prilici, neizbežan (možda i dragocen) aspekt kreativnosti.
KLJUČNE REČI / KEYWORDS:
kompozicija, muzička teorija i analiza, Platon, Delez, psihoanaliza
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