Свети краљ Милутин и његово доба: историја, књижевност, уметност (2023) (стр. 559-579)

АУТОР(И) / AUTHOR(S): Nicholas Johnson


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DOI: 10.46793/6008-065-5.559J


This paper will look for evidence of continuity and change in the periphery and centre of the Byzantine Empire in the late Palaeologan period looking at examples of sacred art from before and after the Latin occupation of Constantinople (1204-1261), I shall attempt to identify examples of continuity which served to reestablish Orthodoxy and note changes in composition, style and symbolism which have come to be seen by some as a Palaeologan Renaissance. My contention is that the visual culture thrived even when the polity and economy of empire were compromised.


Continuity; change; ramified; cognitive dissonance; identification; narrative; symbolism


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