Категорија 2024

Echoes from the Quarry: Voice as Archaeological Tool for Performing the Traumatized Body in Meredith Monk’s Performance „Quarry: an opera in three movements“ (1976)

Minimalist intersections (2024) [pp. 253-270] AUTHOR(S) / АУТОР(И): Hiske Krammer Download Full Pdf    DOI: 10.46793 ABSTRACT / САЖЕТАК: Meredith Monk’s interdisciplinary approach allows her to represent a complex world. In the case of Quarry: an opera in three movements,…

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Minimalist Elements in Vladimir Tošić’s Atmospheric Music for Television. Case Study: „The Yellow House“

Minimalist intersections (2024) [pp. 229-252] AUTHOR(S) / АУТОР(И): Nikoleta Dojčinović Download Full Pdf    DOI: 10.46793 ABSTRACT / САЖЕТАК: Audio-visual formats dictate the creation of applied music, especially when their themes are temporally and historically defined. The fundamental questions are…

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A translation of Beckett, Two Actors and a Group of Musicians: Minimalism and Absurdity in Carlos Mastropietro’s „Viejo nal de Partida“

Minimalist intersections (2024) [pp. 213-228] AUTHOR(S) / АУТОР(И): José Francisco Ielpi Download Full Pdf    DOI: 10.46793 ABSTRACT / САЖЕТАК: Viejo final de partida (translatable as ‘Old Endgame’), by Argentinian composer Carlos Mastropietro (1958) was written in 1998 for an…

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