Kategorija Minimalist Intersections (2024)

Echoes from the Quarry: Voice as Archaeological Tool for Performing the Traumatized Body in Meredith Monk’s Performance „Quarry: an opera in three movements“ (1976)

Minimalist intersections (2024) [pp. 253-270] AUTHOR(S) / AUTOR(I): Hiske Krammer Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: Meredith Monk’s interdisciplinary approach allows her to represent a complex world. In the case of Quarry: an opera in three movements,…

DetaljnijeEchoes from the Quarry: Voice as Archaeological Tool for Performing the Traumatized Body in Meredith Monk’s Performance „Quarry: an opera in three movements“ (1976)

Minimalist Elements in Vladimir Tošić’s Atmospheric Music for Television. Case Study: „The Yellow House“

Minimalist intersections (2024) [pp. 229-252] AUTHOR(S) / AUTOR(I): Nikoleta Dojčinović Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: Audio-visual formats dictate the creation of applied music, especially when their themes are temporally and historically defined. The fundamental questions are…

DetaljnijeMinimalist Elements in Vladimir Tošić’s Atmospheric Music for Television. Case Study: „The Yellow House“

A translation of Beckett, Two Actors and a Group of Musicians: Minimalism and Absurdity in Carlos Mastropietro’s „Viejo nal de Partida“

Minimalist intersections (2024) [pp. 213-228] AUTHOR(S) / AUTOR(I): José Francisco Ielpi Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: Viejo final de partida (translatable as ‘Old Endgame’), by Argentinian composer Carlos Mastropietro (1958) was written in 1998 for an…

DetaljnijeA translation of Beckett, Two Actors and a Group of Musicians: Minimalism and Absurdity in Carlos Mastropietro’s „Viejo nal de Partida“

LP Duo – Minimalism as a Bridge to (Neo)Classical Piano Music and Beyond

Minimalist intersections (2024) [pp. 201-212] AUTHOR(S) / AUTOR(I): Sonja Lončar , Andrija Pavlović  Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: Since 2004, pianists, composers, innovators, researchers, producers and professors Sonja Lončar and Andrija Pavlović (a.k.a. Andy Pavlov) have…

DetaljnijeLP Duo – Minimalism as a Bridge to (Neo)Classical Piano Music and Beyond

Nik Bärtsch’s Special Fusion Approach to Minimal Music: Analysis of His Works and Aesthetic Evaluation

Minimalist intersections (2024) [pp. 177-200] AUTHOR(S) / AUTOR(I): Ulli Götte Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: The Swiss musician and composer Nik Bärtsch personifies a current form of musical minimalism similar to that developed by the Swiss…

DetaljnijeNik Bärtsch’s Special Fusion Approach to Minimal Music: Analysis of His Works and Aesthetic Evaluation

Reshaping and Revelation: Structural Constructions in Philip Glass’s „Trilogy of Vocal Symphonies“

Minimalist intersections (2024) [pp. 158-176] AUTHOR(S) / AUTOR(I): Tingting Yang Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: In the modernist symphonic form of the late 20th century, there is a conspicuous lack of reliance on segmented form for…

DetaljnijeReshaping and Revelation: Structural Constructions in Philip Glass’s „Trilogy of Vocal Symphonies“

Developments of Postminimalism in Brazil: Gilberto Mendes’s Abertura Issa and Rita Domingues dos Santos’s Cartas para Yataro

Minimalist intersections (2024) [pp. 105-133] AUTHOR(S) / AUTOR(I):  Rita de Cássia Domingues dos Santos Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: This chapter will consider the development of minimalism and postminimalism in Brazil through a comparison and study…

DetaljnijeDevelopments of Postminimalism in Brazil: Gilberto Mendes’s Abertura Issa and Rita Domingues dos Santos’s Cartas para Yataro

The Socio-cultural and Psychological Crossroads of a Minimalist Composer – Miroslav Miša Savić

Minimalist intersections (2024) [pp. 70-87] AUTHOR(S) / AUTOR(I):  Blanka Bogunović , Nikola Dedić Download Full Pdf    DOI: 10.46793 ABSTRACT / SAŽETAK: The authors of this chapter adopt an interdisciplinary approach that encompasses art history, music history and psychology of…

DetaljnijeThe Socio-cultural and Psychological Crossroads of a Minimalist Composer – Miroslav Miša Savić