Echoes from the Quarry: Voice as Archaeological Tool for Performing the Traumatized Body in Meredith Monk’s Performance „Quarry: an opera in three movements“ (1976)
Minimalist intersections (2024) [pp. 253-270] AUTHOR(S) / АУТОР(И): Hiske Krammer Download Full Pdf DOI: 10.46793 ABSTRACT / САЖЕТАК: Meredith Monk’s interdisciplinary approach allows her to represent a complex world. In the case of Quarry: an opera in three movements,…